America America ırkçılık, önyargı başyapıtı olsa da hayranları vardır…Bunlardan biri de Martin Scorsese’dir…

Martin Scorsese: “Papa’nın sanatçılara yaptığı çağrıya, bildiğim tek yolla yanıt verdim: İsa hakkında bir film hayal edip senaryo yazarak. Ve onu yapmaya başlamak üzereyim.”

Papa Francis’e bir ziyarette bulunan Martin Scorsese “The Last Temptation of Christ” filminden sonra bir kez daha Hazreti İsa’yı konu alacak…

Martin Scorsese’nin hayranlık duyduğu filmler:

Georges Méliès’s “A Trip to the Moon” (1902)

Anthony Asquith & A.V. Bramble’s

“Shooting Stars” (1927)

Jean Vigo’s “L’Atalante” (1934)

Orson Welles’s “Citizen Kane” (1941)

Michael Powell & Emeric Pressburger’s

“The Life and Death of Colonel Blimp” (1943)

“Jacques Tourneur’s

“I Walked with a Zombie” (1943)

Lewis Allen’s “The Uninvited” (1944)

John M. Stahl’s

“Leave Her to Heaven” (1945)

Mark Robson’s “Isle of the Dead” (1945)

Alberto Cavalcanti & Charles Crichton & Robert Hamer & Basil Dearden’s “Dead of Night” (1945)

Roberto Rossellini’s “Paisan” (1946)

King Vidor’s “Duel in the Sun” (1946)

Michael Powell & Emeric Pressburger’s

“The Red Shoes” (1948)

Frank Borzage’s “Moonrise” (1948)

Ida Lupino’s “Outrage” (1950)

Robert Bresson’s “Diary of a Country Priest” (1951)

Jean Renoir’s “The River” (1951)

Akira Kurosawa’s “Ikiru” (1952)

Vincente Minnelli’s “The Band Wagon” (1953)

Kenzi Mizoguchi’s “Ugetsu Monogatari ” (1953)

Roberto Rossellini’s “Journey to Italy” (1954)

Nicholas Ray’s “Johnny Guitar” (1954)

Nicholas Ray’s “Rebel Without a Cause” (1955)

Howard Hawks’s “Land of the Pharaohs” (1955)

Elia Kazan’s “East of Eden” (1955)

John Ford’s “The Searchers” (1956)

Cecil B. DeMille’s “The Ten Commandments” (1956)

Jacques Tourneur’s “Night of the Demon” (1957)

Andrzej Wajda’s “Ashes and Diamonds” (1958)

Irving Lerner’s “Murder by Contract” (1958)

Vincente Minneli’s “Some Came Running” (1958)

Alfred Hitchcock’s “Vertigo” (1958)

Alfred Hitchcock’s “Psycho” (1960)

Michelangelo Antonioni’s “L’Avventura” (1960)

Marlon Brando’s “One Eyed Jacks” (1961)

Jack Clayton’s “The Innocents” (1961)

Francesco Rosi’s “Salvatore Giuliano” (1962)

Sam Peckinpah’s“Ride the High Country” (1962)

J. Lee Thompson’s “Cape Fear” (1962)

Luchino Visconti’s “The Leopard” (1963)

Elia Kazan’s “America America” (1963)

Robert Wise’s “The Haunting” (1963)

Jean Luc Godard’s “Contempt” (1963)

Federico Fellini’s “8½” (1963)

Anthony Mann’s “The Fall of the Roman Empire” (1964)

Pier Paolo Pasolini’s “The Gospel According to St. Matthew” (1964)

Stanley Kubrick’s “2001” (1968)

Djibril Diop Mambéty’s “Touki Bouki” (1973)

William Friedkin’s “The Exorcist” (1973)

Ralph De Vito“s “Death Collector” (1976)

Satyajit’s Ray’s “The Chess Players” (1977)

Peter Medak’s “The Changeling” (1980)

Stanley Kubrick’s “Shining” (1980)

Sidney J. Furie’s “The Entity.” (1982)

Souleymane Cissé’s “Yeelen” (1987)

Hong Sang-soo’s “Woman Is the Future of Man” (2003)

Joanna Hogg’s “Archipelago” (2010)

Spike Lee’s “BlacKkKlansman” (2018)

Ari Aster’s “Midsommar” (2019)

Kornel Mundruczo’s “Pieces of a Woman, (2020)

Todd Field’s “TÁR” (2022)

Ti West’s “Pearl” (2022)